Hemingway at the velodrome
			        I have started many stories about bicycle racing but have never written one 			 that is as good as the races are both on the indoor and outdoor tracks and 			 on the roads.
			  			 But I will get the Vélodrome d'Hiver with the smoky light of 			 the afternoon and the high-banked wooden track and the whirring sound the tires 			 made on the wood as the riders passed, the effort and the tactics as the  			 riders climber and plunged, each one a part of his machine; I will get the 			 magic of the demi-fond, the noise of the motors with their rollers set out 			 behind them that the entraîneurs rode, wearing their heavy crash helmets and 			 leaning backward in their ponderous leather suits, to shelter the riders who followed 			 them from the air resistance, the riders in their lighter crash helmets bent low 			 over their handlebars their legs turning the huge gear sprockets and the small front 			 wheels touching the roller behind the machine that gave them shelter to ride in, 			 and the duels that were more exciting than anything, the put-puting 			 of the motorcycles and the riders elbow to elbow and wheel to wheel up and down and around 			 at deadly speed until one man could not hold the pace and broke away and the solid 			 wall of air that he had been sheltered against hit him.
			  			 There were so many kinds of racing. The straight prints raced in heats or in match 			 races where the two riders would balance for long seconds on their machines for 			 the advantage of making the other rider take the lead and then the slow  			 circling and the final plunge into the driving purity of speed.
			  			 There were the programs of the team races of two hours, with a series of pure 			 sprints in their heats to fill the afternoon, the lonely absolute speed 			 events of one man racing an hour against the clock, the terribly dangerous 			 and beautiful races of one hundred kilometers on the big banked wooden five 			 hundred-meter bowl of the Stade Buffalo, the outdoor stadium at Montrouge  			 where they raced behind big motorcycles, Linart, the grat Belgian champion 			 that they called "the Sioux" for his profile, dropping his head to suck up 			 cherry brandy from a rubber tube that connected with a hot water bottle 			 under his racing shirt when he needed it toward the end as he increased 			 his savage speed, and the championships of France behind big motors of the 			 six-hundred-and-sixty-meter cement track of the Parc des Princes near Auteuil, 			 the wickedest track of all where we saw the great rider Ganay fall and heard 			 his skull crumple under the crash helmet as you crack an hard-boiled egg 			 against a stone to peel it on a picnic. I must write the strange world of 			 six-day races and the marvels of the road-racing in the mountains. French 			 is the only language it has ever been written in properly and the terms 			 are all French and that is what makes it hard to write. Mikes was right 			 about it, there is no need to bet. But that comes at another time in Paris.
			 			 

 
 
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